Readers of this blog may have realised by now that I have a weakness for what I would lovingly refer to as “trash fantasy”. And boy was this the trashiest, I loved every second of it but this was such a bad book. Celaena Sardothien (incredible name – but not quite as incredible as her servant Philippa Spindlehead!) is everything I hate in a fantasy character. She’s beautiful, she has a tragic past, she’s ‘not like the other girls’, she’s literally the “world’s best assassin”, everyone falls madly in love with her, and she is only eighteen.

Celeana’s internal monologue is unbelievably arrogant. Every new character she meets it’s like she is saying to herself, well if I wanted I could just snap his neck, with my bare hands, blindfolded, and with my legs tied together but I suppose he can live, this time! (This is not an actual quote). Also, forgive me if I don’t know all there is to know about ‘assassining’, but surely being able to blend into the background is an important trait. Celaena is absolutely desperate for attention. As part of the competition she is taking part in to earn her freedom she has been told to not show off and stay averagely in the middle (because of course if she tried she would be first) and let the other competitors ignore her, but it makes her so angry. The weapons master is praising Cain – her main competition – because he’s doing so well at the archery and wall climbing stuff, and she absolutely fumes because she is not the one getting the attention and praise. She is also really bad at allowing people to sneak up on her, and men are always just popping in to her room without her knowledge so that they can watch her sleep.
My other criticism of the book is that I thought the premise was supposed to be that she has escaped this incredibly traumatic year in the salt mines of Endovier but mostly she seems pretty unfazed by it all, and problems as they crop up are dealt with very quickly. For example, there is a scene in which she can’t sleep in a bed, and I thought wow this is really poignant, just like in the Count of Monte Cristo – who after his long imprisonment, at least in the film, never sleeps in a bed again – I wonder how this is going to impact her life, but no, the next night it’s all fine (see also writing, piano playing and waking screaming from nightmares).
Still, I thought Maas was pretty good at creating tension as the other competitors are picked off one by one by some mysterious beast, and I liked that she included Celaena coping with her period coming back (petition to have more women dealing with menstruation in fantasy?). I would also like to be clear, I thoroughly enjoyed every single page of this book but perhaps not enough to read another 7(!) books.











